This current work deals with the limits and impossibility of representation through rhythmic repetition of form. Play in form and content is mediated through measurements that humorously interrogate the perception and veracity of everyday experience. Inversions and slippage between the literal and the abstract, reified through material supports and temporal concepts they contain recalls the phrase Credo quia absurdum, translating to the phrase "I believe because it is absurd," which inspires this series of visual puns.
